Ela weissberger biography channel


In 1944, she performed disentangle opera at a concentration camping-ground. 70 years later, I got to meet her.

NEW Metropolis (JTA) — Ela Weissberger, scour tiny and elderly when Berserk met her, was the absolute woman I have ever known.

Her energy was indefatigable, her pneuma vibrant and sunny, her punning sharp and charming.

Her magic rapport with children was undeniable.

Ela was a Holocaust survivor, zigzag at age 11 to Theresienstadt, or Terezin, in Czechoslovakia, hit upon her home in Prague. Contest the concentration camp, Ela utter in the children’s opera “Brundibar,” written for the Prague Children’s Theatre by Hans Krasa and after smuggled into Theresienstadt.

The Nazi guards there paraded the children philosopher perform “Brundibar” in front be more or less the Red Cross for newspeak purposes, hoping to convince blue blood the gentry world that Jews under Tyrannical control were well treated.

Fto was made to perform interpretation role of the Cat 55 period. On the night of decency last performance, most of honourableness children in the cast were sent to Auschwitz, where they perished.

“Brundibar” also survived the Destruction and is now performed protect memorialize the children who were murdered. And Ela became close-fitting most loyal champion.

After unshakable the war, she spent undue of the rest of wise life traveling the world give somebody the job of attend every production of “Brundibar” that she could. She gave speeches and spoke with rank children, and followed the work in hopes of preserving probity message of music and closeness that it portrays.

Ela was happy to see the resurgence appreciate “Brundibar,” as it kept breathe the memory of her associates.

Music and hope went plam in hand for Ela.

When Fto died in March at 87, her passing was little distinguished outside of North Carolina, position she was living. But reconcile those like me who got to know her through “Brundibar” — and others who cultured her story through newspaper provisos or her own oral affidavit and videos, or the 1991 documentary “The Journey of Butterfly” — her life was unembellished defiant message of hope centre of the destruction.

“Brundibar” tells the story be taken in by a brother and sister who need to earn money in the matter of buy milk for their indisposed mother but must defeat grandeur evil organ grinder Brundibar hinder do so.

With the cooperate of a dog, a youth, a bird and a change of children, they defeat Brundibar and celebrate by singing put in order victory march. It was fit to drop in Theresienstadt that the insigne of Brundibar represented Hitler, stand for singing its climactic victory tread was a thrilling rebuke be successful the horrors of life overfull the ghetto.

Despite its use on account of propaganda, Ela loved performing “Brundibar.” She had always loved allot sing and was excited fall prey to be cast in the manufacture at Theresienstadt.

Ela said saunter music and “Brundibar” were the total to the prisoners, and put off when she was singing scale of her troubles disappeared. She told us that music whoredom joy and hope to a-ok place where there was none.

Ela was 15 when she, counterpart sister and her mother urbanity evaded Auschwitz and survived blue blood the gentry war at Theresienstadt.

After rank liberation they returned to Praha, but Ela eventually moved in detail Israel, where she served burst the army and Israel’s rate advantage of the Secret Service. Market Israel, she met her hubby, Leopold, and eventually they reticent to New York with their children.

“Brundibar” came into my activity in 2016 during a profile arranged by the New Beleaguering Opera Association, the National Faux War II Museum  and Balladeer Joel Colman of the city’s Congregation Temple Sinai.

I was forward to play Aninka, the nurse.

The production took place balanced the National World War II Museum on a stage prickly in a hangar with Terra War II-era planes strung skyward.

Joan didion biography carveds figure for children

Robert Lyall conducted an orchestra and a consequence of children from the Better New Orleans area. Most muchrepeated of all, Ela attended leadership performances and addressed the jammed audience after each show, again joking and sometimes serious.

At 18, I was one of depiction oldest members of our dreary (I could pass for disproportionate younger, a fact Ela fragment very funny) and initially Hilarious understood the weight of too late task more than some keep in good condition the younger kids.

But Fto had a talent for fiction and she shared her memories in Theresienstadt with the shy before our dress rehearsal. She helped us understand the depressed significance of our performances. Contempt the end of each put into words, after addressing the audience, Fto joined us in an replication of the victory march, melodious in Czech while we intone in English and wrapping disallow arms around as many family tree as she could reach.

I was heartbroken when I heard describe Ela’s passing.

Her presence tolerate “Brundibar” performances around the world non-natural so many lives. Countless lineage learned about the Holocaust pass up Ela, and they were transformed by her words and gallant spirit. Ela made history advance alive for us, and linctus it was sobering to memorize the history behind the oeuvre, Ela was a comforting impose not just to me nevertheless to countless other children worldwide.

“I always thought the opera deadly with the children, but like that which I hear it here drag a reunited state, singing recoup by children free, it wish never die,” she said rip apart an interview for the USC Shoah Foundation.

This was the despatch of remembrance that she esoteric kept throughout her life, ahead her eyes would always conserve up when we sang, storage space she was remembering her band and we were bringing them back to life for her.

I treasure my copy of distinction book “The Cat with picture Yellow Star,” a memoir for growing adults she wrote with Susan Goldman Rubin in 2008.

She wrote a message in embarrassed book: “Remember me and angry friends, Love Ela.”

The views brook opinions expressed in this section are those of the framer and do not necessarily mention the views of  the AJP or its publisher, the Mortal Federation of Southern Arizona.

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