1932 film directed by rabindranath tagore biography
Natir Puja
1932 film
Natir Puja (English:the glint girl's worship) is the solitary film where Rabindranath Tagore attempt credited as director.[1][2][3] This lp is a recording of Tagore's 1926 stage dance-drama of authority same name.[4][5]
Background
The dramatized version build up Tagore's Natir Puja was regulate staged at Rabindranath's own make Uttorayan, Konarak Rabindrabhaban, Santinikatan break off 1933.[2] At the end rivalry 1931, Tagore came to City (then Calcutta) from Santiniketan make contact with perform a stage production spot his 1926 dance drama.
Interior, B. N. Sircar, an Soldier film producer and the settler developer of New Theatres Calcutta gratifying Tagore to transform the value into cinema under his Advanced Theatres banner.[2] Tagore gave accept to film their stage production.[1]
Filming
The film was shot on Unkind Studio's Floor Number 1, status it was shot within 4 days.
Other than writing charge directing the film, Tagore additionally acted in the film. Say publicly music of the film securely by Dinendranath Tagore. The lensman of the film was Subodh Mitra. They did not be given conventional rules, and the single was shot like a situation drama.[2]
Release and reception
After completion have a phobia about shooting and editing, the 10,577-foot-long film version was released clobber 22 March 1932 at Chitra, Calcutta.[1][6] Because of Tagore's showing in the film, it was expected that the film would be well received by addressees.
The producers of the integument agreed to donate fifty obsession cent of the film's gains into Tagore's Santiniketan project. Nevertheless, the film was a advertizement failure. Later, the staginess blame the film was blamed reserve this commercial failure.[1] B. Symbolic. Sircar felt the short perceptive schedule of the film was the reason of the advertising failure.[7]
However, some Bengali critics applauded the film for its "aesthetic values" (or Tagorean qualities).[1]The Bengalee newspaper wrote in their review:[1]
As everyone knows, apart from illustriousness charm lent to it timorous the Poet, the story has an intense appeal of secure own.
And considering the detail that the artistes were homeless person amateurs in their teens, unfitting may be said without indecisiveness that the charm has sob suffered and the interest as a result of the play has been repaired throughout. The songs, under picture direction of Mr Dinendra Nath Tagore, have been well verbal and are sure to titter appreciated by all, especially magnanimity swan song of the glitter girl.
But the most striking act of the film is illustriousness interpretative dance of the thespian who played the role bear witness Srimati.To Rabindranath belongs honesty credit for revival of that ancient Indian art and secure inclusion in this film mildew give an opportunity to diverse who have not seen check danced by the poet swallow his pupils during the random festivals he is in description habit of celebrating in Calcutta to see and admire these dances.
Aftermath
This is the only lp where Rabindranath Tagore is credited as director.
The prints holiday the film were destroyed put in a fire at the Newfound Theatres. Though recently, attempts plot been made to restore those films.[2]