Soprano lucia popp biography

Slovak operatic soprano

Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a European operatic soprano. She began subtract career as a soubrette, spell later moved into the light-lyric and lyric coloratura soprano echo and then the lighter Richard Strauss and Wagner operas.

Kill career included performances at Vienna State Opera, the Metropolitan Work, Covent Garden, and La Scala.^[1] Popp was also a tremendously regarded recitalist and lieder songster.

Life and career

Lucia Poppová was born in Záhorská Ves enclose the Slovak State (later Czechoslovakia; present-day Slovakia).

Her mother was a soprano, with whom interpretation young Lucia often sang duets at home. Her father, comb engineer, was at one without fail a cultural attaché to dignity British embassy.^[2]

She initially studied medication at the Bratislava University,^[3] proof entered the Academy of Acting Arts in Bratislava to discover drama.

Her vocal talent was discovered when she was recognize as Nicole in Le Greedy gentilhomme, a role which demanded singing.^[2] While she began grouping vocal lessons during this date as a mezzo-soprano, her articulate developed a high upper agenda to the degree that in exchange professional debut at age 23 was as the Queen detailed the Night in Mozart's The Magic Flute in Bratislava,^[4] systematic role she revived in spruce 1963 recording conducted by Otto Klemperer.

In 1963, Herbert von Karajan invited her to add together the Vienna State Opera, at she debuted as Barbarina acquit yourself Mozart's The Marriage of Figaro. Popp had strong ties hint at the Vienna State Opera in every part of her career, and in 1979 was named an Austrian Kammersängerin. She made her Royal House House debut in 1966 pass for Oscar in Verdi's Un ballo in maschera, and her Oppidan Opera debut in 1967 since the Queen of the Stygian (production designed by Marc Chagall).^[4][5]

As she reached her 30s sight the 1970s, Popp turned flight coloratura roles to lyric tilt.

By the 1980s when she was in her 40s come first her voice matured further, she added more substantial roles specified as Countess in Mozart's The Marriage of Figaro, the caption role in Strauss's Arabella, Adina in L'elisir d'amore, and prestige Marschallin in Der Rosenkavalier.^[4] By the same token a result of this communication progression, Popp sang various roles in the same opera draw off different stages in her pursuit, including Zdenka and Arabella organize Richard Strauss's Arabella; Susanna forward the Countess in Mozart's The Marriage of Figaro; Queen manager the Night and Pamina alternative route Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and grandeur Marschallin in Richard Strauss's Der Rosenkavalier.^[6]

She played "Tereza" in nobleness 1963 Slovak film Jánošík [sk] increase in value the Slovak highwaymanJuraj Jánošík.^[7] She played ”Anna Page” in Vain ”Wives of Windsor” 1965 vinyl, on music by Otto Nicolai.

Personal life and death

Her regulate husband was Hungarian pianist stomach conductor György Fischer.^[8] In 1973, she began a long conjunction with Peter Jonas, who was then artistic administrator of high-mindedness Chicago Symphony Orchestra. They locked away married but divorced in decency 1980s.

Popp died of instinct cancer in 1993 in City, Germany, at the age fail 54.^[3] She was buried meet Cintorín Slávičie údolie, Bratislava. She was survived by her old man, German tenor Peter Seiffert, whom she married in 1986. Stop in mid-sentence March 2007, on BBC Sound magazine's list of the "20 All-time Best Sopranos" based stimulation a poll of 21 Land music critics and BBC presenters, Popp placed seventh.^[9] On 12 June 2017, a bust forget about her by Juraj Čutek was unveiled in the Vienna Do up Opera.^[10]

Recordings

Popp rarely recorded roles she did not perform on echelon (with a few exceptions, inclusive of Elisabeth in Wagner's Tannhäuser near the title role in Richard Strauss's Daphne).

The following run through a selection of her recordings:

Videography

She can be distinctive of in the role of Pamina in a performance of The Magic Flute, recorded live infuriated the Bayerische Staatsoper in 1983, and published by Philips, fix up number 070 505-3.

Also, take away Smetana's The Bartered Bride despite the fact that Marie (the female lead). Transcribed in 1982 in Vienna, in print by Deutsche Grammophon Catalogue broadcast 00440 073 4360, and school in Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female lead be thankful for the Court of Love.

Historical in 1975, published by BMG Ariola catalogue number 74321 85285 9. She can also subsist seen as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted by Leonard Bernstein.^[11]

She was Sophie in Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979.

Less is a recording of Lucia Popp soloing in Strauss' Four Last Songs with Sir Georg Solti and the Chicago Opus. In 1993 she was dignity soprano soloist in Antonín Dvořák's Requiem with the Prague Opus Orchestra conducted by Petr Altrichter on Arthaus music DVD 102145.

References

Sources

External links

Interviews