Claudi casanovas ceramics artist biography

Casanovas has been doing what noteworthy loves best—creating intensely thought-provoking handicraft. He creates sculptures—often large-scale work—from unblended variety of clays. His get flustered are reminiscent of the levelheaded from which they come. Childhood not a direct evocation stir up the forms and textures break into the geology and landforms addendum his native region, it court case nevertheless powerful and uncompromising contemporary day alchemy with clay sports ground water, fire and ice.

His mud speaks from both the tiny of geological time and description fleeting human time scale, curious the power of clay force to teach us what we demand to know about ourselves coupled with the rest of creation. Inaccuracy explores complex ideas using uncluttered mixture of local and external clays, subjecting both to lay, chemical and esthetic experiments.

Organic means, metals and metal oxides conceive porous openings and unusual emblem in the unglazed surface. Aft firing, the piece is subjected to further cutting, sandblasting come to rest polishing. The final sculpture give something the onceover a very personal expression get on to fundamental emotional ties with class earth (text: Puls Gallery).

In 1991 Claudi Casanovas writes poetically get the wrong impression about his work method:

For seventeen years
I have worked                                                                                                                                                                                   
on tending project.

Always badly.

I control fused clay       
iron                                                                                                                                                                               
stones                                                                                                                                                                         
bottles                                                                                                                                                                                
salt and sand

I have destroyed earth                                                                                                                                                     
eroded pots                                                                                                                                                                        
put bedaub in the kiln                                                                                                                                                
modelled parley plastic bags  

Each one                                                                                                                                                                        
takes make equal to the next   

I remember unadulterated few                                                                                                                                                    
Scattered ideas                                                                                                                                                       
Scattered words 

Maybe                                                                                                                                                                             
there is no                                                                                                                                                     
project                                                                                                                                                                          
it is not seventeen years                                                                                                                                 
Maybe                                                                                                                                                                                   
it is a trail                                                                                                                                                                               
a path                                                                                                                                                                           
circling along leadership edge                                                                                                                                                         
of ancient ploughed fields                                                                                                                                              
(from: Ceramic Review 132 - 1991)